Tamburlaine the Great: Parts I & II
(eBook)

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Format
eBook
Status
Available Online

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Published
Left of Brain Books, 2024.
Language
English
ISBN
9781396324697

Citations

APA Citation, 7th Edition (style guide)

Christopher Marlowe., & Christopher Marlowe|AUTHOR. (2024). Tamburlaine the Great: Parts I & II . Left of Brain Books.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Christopher Marlowe and Christopher Marlowe|AUTHOR. 2024. Tamburlaine the Great: Parts I & II. Left of Brain Books.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Christopher Marlowe and Christopher Marlowe|AUTHOR. Tamburlaine the Great: Parts I & II Left of Brain Books, 2024.

MLA Citation, 9th Edition (style guide)

Christopher Marlowe, and Christopher Marlowe|AUTHOR. Tamburlaine the Great: Parts I & II Left of Brain Books, 2024.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID519eab5d-fae2-e525-ea05-200073fee948-eng
Full titletamburlaine the great parts i and ii
Authormarlowe christopher
Grouping Categorybook
Last Update2024-05-17 20:11:52PM
Last Indexed2024-06-15 03:04:50AM

Hoopla Extract Information

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    [synopsis] => This dramatic and influential play by Christopher Marlowe thrusts readers into the ambitious rise of a shepherd to a powerful warlord in the 14th century. 
	


	This two-part play is renowned for its poetic grandeur and the depiction of its ruthless yet charismatic protagonist, Tamburlaine. Marlowe, a contemporary of Shakespeare, revolutionized Elizabethan drama with his use of blank verse and complex characters. Set against the vast backdrop of the Middle Eastern and Central Asian empires, the narrative explores themes of power, ambition, and the human cost of relentless conquest. 
	


	Marlowe's Tamburlaine is not just a conqueror but also a poet and a visionary, embodying the Renaissance fascination with the 'overreacher' who challenges the heavens. This work is pivotal in the development of English drama, marking a departure from medieval morality plays to a more secular and humanistic approach, encapsulating the transformative spirit of the Elizabethan age.
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