Flaubert
(eBook)

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eBook
Status
Available Online

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Published
Harvard University Press, 2016.
Language
English
ISBN
9780674974456

Citations

APA Citation, 7th Edition (style guide)

Michel Winock., & Michel Winock|AUTHOR. (2016). Flaubert . Harvard University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Michel Winock and Michel Winock|AUTHOR. 2016. Flaubert. Harvard University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Michel Winock and Michel Winock|AUTHOR. Flaubert Harvard University Press, 2016.

MLA Citation, 9th Edition (style guide)

Michel Winock, and Michel Winock|AUTHOR. Flaubert Harvard University Press, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID53758a8f-9dc1-5d01-4ff8-3f2bb01e5612-eng
Full titleflaubert
Authorwinock michel
Grouping Categorybook
Last Update2024-05-15 02:00:43AM
Last Indexed2024-06-29 03:05:14AM

Book Cover Information

Image Sourcehoopla
First LoadedFeb 1, 2023
Last UsedMay 4, 2024

Hoopla Extract Information

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    [synopsis] => Michel Winock's biography situates Gustave Flaubert's life and work in France's century of great democratic transition. Flaubert did not welcome the egalitarian society predicted by Tocqueville. Wary of the masses, he rejected the universal male suffrage hard won by the Revolution of 1848, and he was exasperated by the nascent socialism that promoted the collective to the detriment of the individual. But above all, he hated the bourgeoisie. Vulgar, ignorant, obsessed with material comforts, impervious to beauty, the French middle class embodied for Flaubert every vice of the democratic age. His loathing became a fixation, and a source of literary inspiration.

Flaubert depicts a man whose personality, habits, and thought are a stew of paradoxes. The author of Madame Bovary and Sentimental Education spent his life inseparably bound to solitude and melancholy, yet he enjoyed periodic escapes from his "hole" in Croisset to pursue a variety of pleasures: fervent friendships, society soirées, and a whirlwind of literary and romantic encounters. He prided himself on the impersonality of his writing, but he did not hesitate to use material from his own life in his fiction. Nowhere are Flaubert's contradictions more evident than in his politics. An enemy of power who held no nostalgia for the monarchy or the church, he was nonetheless hostile to collectivist utopias.

Despite declarations of the timelessness and sacredness of Art, Flaubert could not transcend the era he abominated. Rejecting the modern world, he paradoxically became its celebrated chronicler and the most modern writer of his time.
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