Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940
(eBook)

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eBook
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Available Online

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Published
Syracuse University Press, 2021.
Language
English
ISBN
9780815654711

Citations

APA Citation, 7th Edition (style guide)

Ruud Van den Beuken., & Ruud Van den Beuken|AUTHOR. (2021). Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940 . Syracuse University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Ruud Van den Beuken and Ruud Van den Beuken|AUTHOR. 2021. Avant-Garde Nationalism At the Dublin Gate Theatre, 1928-1940. Syracuse University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Ruud Van den Beuken and Ruud Van den Beuken|AUTHOR. Avant-Garde Nationalism At the Dublin Gate Theatre, 1928-1940 Syracuse University Press, 2021.

MLA Citation, 9th Edition (style guide)

Ruud Van den Beuken, and Ruud Van den Beuken|AUTHOR. Avant-Garde Nationalism At the Dublin Gate Theatre, 1928-1940 Syracuse University Press, 2021.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID56dba703-22c8-9e9a-6774-4fd48b53bfeb-eng
Full titleavant garde nationalism at the dublin gate theatre 1928 1940
Authorbeuken ruud van den
Grouping Categorybook
Last Update2024-05-15 02:00:43AM
Last Indexed2024-06-26 02:59:49AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 5, 2023
Last UsedJun 26, 2024

Hoopla Extract Information

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    [synopsis] => In 1928, Hilton Edwards and Micheál mac Liammóir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate's lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate's productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that led to the creation of an independent yet in many ways bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-garde nationalism during Ireland's tumultuous first post-independence decades.
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